Original Oil Painting (Post-Impressionist Garden Landscape in Gold Frame), Attributed H. Hamm, Circa 1930s 🎨🌳🖼️

This is an original oil painting on canvas, executed in a vibrant Post-Impressionist style and housed in a period, gilded wooden frame.

The artwork is classified as a top-shelf decorative asset, appealing to collectors who value 20th-century landscape painting and the tangible history of American commercial art.

Its value is secured by the verifiable commercial provenance from the historic Edward Jackson framers of Brooklyn, documenting its specific New York origin.

2. About the Artwork/Book/Object 📖✍️✨ The painting captures a dense, richly colored garden landscape vignette. The composition features a striking combination of colors and textures: deep red and orange foliage against contrasting greens and purples.

The artist utilizes thick, visible brushstrokes (impasto), particularly noticeable in the cloud-like mass of white blossoms in the foreground. The technique prioritizes the visual effect of light and color over linear detail, which is the defining characteristic of the Post-Impressionist style. The work is housed in a handsome, period-correct gilded frame.

3. About the Artist/Author/Maker ✍️🏛️ The artist's signature, visible in the lower left corner, appears to be "H. HAMM". This painter belonged to the generation of early 20th-century artists who embraced the innovations of the European Impressionists, applying color and visible brushwork to natural, domestic subjects.

Crucially, the artwork carries the label of Edward Jackson, Pictures, Artistic Framers of 320 Livingston St., Brooklyn. Edward Jackson was a major framer in New York, and the label acts as a vital commercial signature, confirming the painting was handled and prepared for exhibition or sale in the metropolitan art market during the early-to-mid 20th century.

4. Historical/Political Era Context 🌍🕰️📜 This painting dates to the early to mid-20th Century (Circa 1920s–1940s), a period that followed the major American artistic movements of the Ashcan School and Regionalism.

The subject matter—a private, lush garden—reflects the period's cultural move toward domesticity and natural beauty following the urbanization and industrial growth of the preceding decades. The Impressionistic style was widely embraced by artists seeking to capture a sense of immediate visual pleasure. The framer’s location in Brooklyn confirms the painting was part of the vibrant, established New York art scene, documenting the commercial life of art during the interwar years.

5. The Ideal Collector 💡🧐🏛️ This artwork is an essential acquisition for a curator of 20th-Century American Landscape Painting or a collector specializing in the Post-Impressionist period.

It is ideally suited for a buyer who prioritizes the aesthetic impact of color and brushwork and seeks pieces with verifiable commercial provenance. The documented framer’s label provides a tangible link to the history of the New York art trade, appealing to collectors who value a traceable chain of commerce.

6. Value & Rarity 💎✨🏛️ This is an original oil painting on canvas, making it a singular artwork with no reproductions. The piece is approximately 85 to 105 years old.

Its Bibliographical Scarcity is high due to its nature as a one-of-a-kind original work. The value is secured by the Aesthetic Premium of the quality Impressionistic technique and the verifiable commercial label from the Edward Jackson framers of Brooklyn, which serves as a powerful piece of non-monetary documentation.

7. Condition 🔎📚✨ The physical condition has been assessed directly from the provided high-resolution photography. The object is deemed to be in Good Vintage Condition, with structural defects noted.

• Media: Original oil paint on canvas.

• Damage: A visible, single scratch mark is present in the upper sky section of the canvas. This is a mandatory aesthetic and structural deduction.

• Surface: The impasto brushwork is intact with no major flaking or loss of paint.

• Frame: Housed in a period, carved wooden gilded frame which shows expected minor wear.

• Framer’s Label: The original Edward Jackson framer’s label is partially intact on the reverse.

• Reverse: The frame corners show expected separation.

8. Fun Facts & Unique Features 🤓📜🤩

• The Framer's Specialty: The label states Edward Jackson specialized in "Regilding a Specialty", suggesting the current gilded frame may have been expertly restored or refurbished at their Brooklyn studio.

• Impasto Technique: The artist used the impasto technique (thick application of paint) to create a tactile, three-dimensional texture on the canvas, giving the foliage greater visual weight and vibrancy.

• Art Market Hub: The framer’s address near Nevins Street places the commercial provenance in a historic area of downtown Brooklyn, which was a known hub for artists and art supply dealers in the early 20th century.

• The Scratch Mark: The single scratch on the canvas, while a flaw, is a unique piece of the work's physical history, documenting a singular moment of physical damage during its long life.

9. Supporting Information 🏷️📦💰

• Object Type: Original Oil Painting (Landscape)

• Title: Garden Landscape Vignette

• Artist/Maker: Attributed H. HAMM (Signature visible)

• Year/Period: Circa 1930s (Post-Impressionist)

• Medium/Materials: Oil on Canvas

• Framer/Commercial Provenance: Edward Jackson, Artistic Framers (320 Livingston St., Brooklyn, NY)

• Dimensions (Approximate, from photos): 20 inches high x 15 inches wide (Visible canvas estimate)

• Maker's Mark Transcription (Framer’s Label): EDWARD JACKSON / PICTURES ARTISTIC FRAMERS / REGILDING A SPECIALTY / 320 LIVINGSTON ST. / NEAR NEVINS ST. / BROOKLYN